{"id":1004,"date":"2016-08-08T17:27:07","date_gmt":"2016-08-08T17:27:07","guid":{"rendered":"http:\/\/psf.2ss.net\/?p=1004"},"modified":"2020-02-28T17:36:43","modified_gmt":"2020-02-28T17:36:43","slug":"attendance-at-pennsylvania-shakespeare-festival-shatters-records-professional-theatre-company-at-desales-university-celebrated-25th-anniversary","status":"publish","type":"post","link":"https:\/\/pashakespeare.org\/press\/attendance-at-pennsylvania-shakespeare-festival-shatters-records-professional-theatre-company-at-desales-university-celebrated-25th-anniversary\/","title":{"rendered":"Attendance at Pennsylvania Shakespeare Festival Shatters Records: Professional Theatre Company at DeSales University Celebrated 25th Anniversary"},"content":{"rendered":"

FOR IMMEDIATE RELEASE\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong><\/p>\n

Contact: Lisa Higgins, 610.282.WILL [9455]<\/p>\n

Lisa.Higgins@pashakespeare.org<\/a><\/p>\n

August 8, 2016<\/p>\n

Center Valley, PA — With three plays by Shakespeare, a musical based on Shakespeare, a classic British comedy, and two plays for children, Pennsylvania Shakespeare Festival celebrated 25 seasons\u2014and set attendance and ticket revenue records for the second year in a row. After nearly 150 performances in just under ten weeks, the season closed Sunday.<\/p>\n

The season\u2019s estimated 39,750 patrons and $1.2 million in ticket revenues topped 2015\u2019s 38,567 patrons and $1.1 million in ticket revenues\u2014a 3% and 4% increase, respectively. The season\u2019s opening Luminosity Gala also set records in attendance, 514 people, and revenue, $150,000+. The Festival employed a record 44 members of Actors\u2019 Equity Association, the union of professional stage actors and stage managers.<\/p>\n

\u201cThe numbers tell only part of the story,\u201d says Producing Artistic Director Patrick Mulcahy. \u201cTo me, the real story is that all those 39,750 patrons chose to spend their precious time, energy, and dollars in a particular way. They chose to engage with the arts, in this case professional theatre.<\/p>\n

\u201cIt underscores for me that the arts are not optional: they fulfill fundamental human needs. Our need to move up close to that which is beautiful drives so much in human behavior, especially in difficult times. The arts have a way of not only entertaining, but also providing encouragement that a world that makes room for such things also makes room for hope.<\/p>\n

\u201cEvery summer, a collection of artists and artisans, staff and volunteers, about 400 total from 21 states, aspire to give our community world-class theatre\u2014the kind of theatre that stands up in fundamental quality to any artistry anywhere.\u201d<\/p>\n

The accolades started with Associate Artistic Director Dennis Razze\u2019s production of West Side Story. Philadelphia Inquirer Theatre Critic Julia M. Klein wrote:<\/p>\n

\u201cWith controversy over immigration, nativist tensions and gun violence dominating the news, the Pennsylvania Shakespeare Festival’s elegant production of\u00a0West Side Story<\/em>\u00a0has a ripped-from-the-headlines feel.\u201d<\/p>\n

And George Hatza of the Reading Eagle posted:<\/p>\n

\u201cThe Pennsylvania Shakespeare Festival’s wrenching and astute production of the celebrated Leonard Bernstein musical \u2018West Side Story<\/em>,\u2019 as staged by perhaps one of the most talented directors of musicals in the region, Dennis Razze, is a whirlwind of emotion: love so strong it rattles the theater; hate so powerful it can’t help but to kill.<\/p>\n

“At 2 hours and 40 minutes, this flawless production seems to fly to its conclusion, as if time itself has become irrelevant.\u201d<\/p>\n

West Side Story was the second most attended production in the Festival\u2019s history, just 1% less than the record holder, last season\u2019s\u00a0Les Mis\u00e9rables<\/em>.\u00a0The Little Mermaid<\/em>\u00a0set an attendance record for a children\u2019s show, more than 9,700.<\/p>\n

Mulcahy\u2019s production of\u00a0Julius Caesar<\/em>, which played to more than 90% capacity, garnered equal praise from The Inquirer as \u201cbrilliant and riveting,\u201d adding, \u201cDirector Patrick Mulcahy’s fine cast carries the show. Julius reaches its dramatic peak with the famous funeral oration of Marcus Antonius, magnificently delivered by Spencer Plachy.\u201d<\/p>\n

The high praises continued throughout the season for all nine productions and events, concluding with raves for the Festival\u2019s fifth \u201cextreme Shakespeare\u201d production of\u00a0Love\u2019s Labour\u2019s Lost<\/em>, rehearsed and produced in the way Shakespeare\u2019s company likely would have: actors arrive with their lines learned and rehearse for four days without a director.<\/p>\n

Kathy Lauer-Williams, theatre critic for\u00a0The Morning Call<\/em>, wrote:<\/p>\n

\u201cRaucous and playful, Pennsylvania Shakespeare Festival’s \u2018Love’s Labour’s Lost<\/em>\u2019 is a delightful example of how fun \u2018extreme Shakespeare\u2019 can be… the actors have stitched together a light-hearted and inventive take on one of Shakespeare’s earliest romantic comedies that is wonderfully engaging and imaginative.\u201d<\/p>\n

\u201cReviewers said some wonderful things, which we deeply appreciate. The many accolades from our patrons are especially meaningful though,\u201d says Mulcahy. \u201cThe completion of the art object lies in their hearts and minds, not on our stages.\u201d<\/p>\n

The season was dedicated to the memory of its founder, Rev. Gerard J. Schubert, O.S.F.S., who died in December, and his life\u2019s work was celebrated and recognized at each performance and several special events.<\/p>\n

Kathleen Kund Nolan and Timothy E. Nolan served as season sponsors for the third time in the Festival\u2019s 25-year history. Associate season sponsors were the Harry C. Trexler Trust, Linda Lapos and Paul Wirth, Dr. James and Penny Pantano and the Szarko Family. The season media sponsor was The Morning Call. PSF is a constituent of the Theatre Communications Group (TCG), the national organization for the American theatre, and a member of the Greater Philadelphia Cultural Alliance, the Shakespeare Theatre Association, the Lehigh Valley Arts Council, and Discover Lehigh Valley.<\/p>\n

Media representatives: please contact Lisa Higgins, 610.282.WILL [9455] or\u00a0Lisa.Higgins@pashakespeare.org<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

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