{"id":3145,"date":"2020-09-25T16:55:27","date_gmt":"2020-09-25T16:55:27","guid":{"rendered":"https:\/\/pashakespeare.org\/?p=3145"},"modified":"2021-01-13T19:05:31","modified_gmt":"2021-01-13T19:05:31","slug":"evita-the-directors-take","status":"publish","type":"post","link":"https:\/\/pashakespeare.org\/press\/evita-the-directors-take\/","title":{"rendered":"EVITA: THE DIRECTOR\u2019S TAKE"},"content":{"rendered":"<p><img decoding=\"async\" data-src=\"http:\/\/psf2.2ss.net\/images\/explore_evitadirectorstake.jpg\" alt=\"EVITA: The Director\u2019s Take\" src=\"data:image\/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==\" class=\"lazyload\" \/><noscript><img decoding=\"async\" src=\"http:\/\/psf2.2ss.net\/images\/explore_evitadirectorstake.jpg\" alt=\"EVITA: The Director\u2019s Take\" \/><\/noscript><\/p>\n<p><em>By Dennis Razze<\/em><\/p>\n<p>I first saw the original production of\u00a0<em>Evita\u00a0<\/em>in San Francisco at the Orpheum Theatre in 1979 during its pre-Broadway tryout period before its New York premiere. The cast included a fiery young actress named Patti Lupone as Eva and an equally young Mandy Patinkin as a bitter and passionate Che, along with Bob Gunton playing a politically pragmatic General Juan Per\u00f3n. I knew nothing about the musical I was going to see, nor did I frankly know anything about the Per\u00f3ns. The musical, already a hit in London, was to be transferred to Broadway that fall. I had always admired the work of Hal Prince, the director, and was a fan of Andrew Lloyd Webber\u2019s earlier rock opera,\u00a0<em>Jesus<\/em>\u00a0<em>Christ Superstar<\/em>.<\/p>\n<p>The Broadway production of\u00a0<em>Evita<\/em>\u00a0swept the 1980 Tony Awards and became the first British musical to win the Tony Award for Best Musical. It won a total of eight Tony Awards including Best Score, Best Book, Best Lyricist, Best Director, Best Leading Actress in a Musical, and Best Featured Actor in a Musical.<\/p>\n<p>Growing up in an era of Rodgers and Hammerstein book musicals, I had never seen anything like\u00a0<em>Evita<\/em>\u2014a sung through musical\/opera staged in Brechtian style by Prince and a young choreographer named Larry Fuller. Bertolt Brecht was a German playwright and director I had studied in graduate school who, along with a collection of terrific plays, had created the very dark musical\u00a0<em>The Threepenny Opera<\/em>, scored by the genius composer Kurt Weill. Like\u00a0<em>The Threepenny Opera<\/em>,\u00a0<em>Evita\u00a0<\/em>used a stage environment that was industrial and stark, exposed the theatrical lighting, used nonrealistic scenery, and employed a confrontational style of presentation that made the audience the judge of the moral and political choices of the characters.<\/p>\n<p>Although at the time I did not fully appreciate the Argentine cultural history and the politics portrayed in\u00a0<em>Evita<\/em>\u2014I was born a year after Eva Per\u00f3n\u2019s death\u2014I was mesmerized by Lloyd Webber\u2019s score and the way the story was presented by Prince and his team. It made a very big impression on me and I admit to being greatly influenced by it in my own directing style.<br \/>\nThe summer after I saw\u00a0<em>Evita<\/em>, I found myself directing a mammoth production of\u00a0<em>Jesus Christ Superstar<\/em>, staged outdoors in Zilker Park in Austin, Texas. Much of what I learned experiencing\u00a0<em>Evita\u00a0<\/em>I adapted for this production\u2014the huge scale, the industrial setting, the presentational style of storytelling, and putting on trial our notions of who we thought Jesus to be. It was a heady experience for me as a very young director. It was the first time I had responsibility over a large budget, a cast of nearly 50, and an orchestra of more than 30 players. The production had a run of 7 performances and was witnessed by 7,000 cheering people each night.<\/p>\n<p>I\u2019ve been on the team at PSF since its founding in 1991, and have served on the DeSales faculty even longer. I encountered\u00a0<em>Evita\u00a0<\/em>again in 1985 in my second year as a young professor at Allentown College. I chose\u00a0<em>Evita\u00a0<\/em>as the first musical I would direct in the three-year-old Labuda Center. The theatre department had never really done a truly large-scale musical\u2014certainly nothing of the scope of\u00a0<em>Evita<\/em>. I recall that Fr. Gerard Schubert, OSFS, didn\u2019t like the idea, and he would not approve it\u2014until a letter came from the academic dean Fr. Alexander Pocetto, OSFS, who had seen the show in New York and thought it was a great idea for Act 1 to tackle this operatic musical.<\/p>\n<p>I enlisted the great Alan Birney to conduct the orchestra, and Christopher Patrick Mullen played a fiery Che. The production was a huge hit, selling out every night, and kickstarted the musical theatre program at the college, which eventually helped set the stage for musicals at PSF.<\/p>\n<p>The University produced\u00a0<em>Evita\u00a0<\/em>once again in 1999. Faculty designer Will Neuert designed a magnificent raked set. The talented Vinny Trovato conducted an assured orchestra and there were a host of terrific singers in the show, including a young Dee Roscioli, then a DSU theatre major, who understudied the role of Eva.<\/p>\n<p>When Patrick Mulcahy offered me the opportunity to revisit\u00a0<em>Evita\u00a0<\/em>in 2017 for the Pennsylvania Shakespeare Festival, I did not hesitate. The chance to direct the show with a cast of terrific professional actors, singers, and dancers, using our terrific new sound system, was a thrilling proposition.<\/p>\n<p>Dee Roscioli, who understudied the role 18 years ago and has since appeared on Broadway as Elphaba in the hit musical\u00a0<em>Wicked<\/em>, will play Eva, and international opera star Paulo Szot, who won the Tony Award for Best Actor in a Musical for playing Emile DeBecque in the Lincoln Center revival of\u00a0<em>South Pacific<\/em>, will play Juan Per\u00f3n. Dan Domenech, who made his Broadway debut as Drew in\u00a0<em>Rock of Ages\u00a0<\/em>and has also appeared on the television show\u00a0<em>Glee<\/em>, has been cast to play Che. Another DeSales alumna, Phoenix Best, making her Broadway debut in\u00a0<em>The Color Purple<\/em>\u00a0last year, will play Per\u00f3n\u2019s mistress. Finally, Jason Forbach who recently starred as Enjolras in the Broadway revival of\u00a0<em>Les<\/em>\u00a0<em>Mis\u00e9rables\u00a0<\/em>plays Eva\u2019s first love, Agustin Magaldi.<\/p>\n<p>A marked difference in this production is that it will use the revised orchestrations used in the 2012 revival of\u00a0<em>Evita\u00a0<\/em>on Broadway. These new arrangements are heavily influenced by Argentine tangomusic, which had its origins in 19th century Buenos Aires.<\/p>\n<p>The musical director for Evita will once again be the talented Nate Diehl, who conducted\u00a0<em>West Side Story<\/em>\u00a0and a number of other musicals for PSF. I will have the pleasure of collaborating with the\u00a0<em>Les Miz<\/em>\u00a0design team of Steve TenEyck on scenery, Lisa Zinni on costume design, and Eric Haugen on lighting. My longtime collaborator Stephen Casey will choreograph the exciting Argentine dances for this wonderful cast of extraordinarily talented actor\/singer\/dancers.<br \/>\nThe story of the Per\u00f3ns\u2019 rise to power, with its marriage of politics and show business, may remind us of the current political and social atmosphere. The duality of their motives is apparent and the morality of their methods may be questioned, but their sustained popularity and almost mythic reputation are also undeniable. Although the musical is told through the critical lens of Che\u2019s experience, it leaves final judgment up to the audience as to a final determination of Eva\u2019s motives and choices.<\/p>\n<p>I hope to see you here at PSF this summer for Andrew Lloyd Webber\u2019s Tony Award-winning musical,\u00a0<em>Evita<\/em>!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>By Dennis Razze I first saw the original production of\u00a0Evita\u00a0in San Francisco at the Orpheum Theatre in 1979 during its pre-Broadway tryout period before its New York premiere. The cast included a fiery young actress named Patti Lupone as Eva and an equally young Mandy Patinkin as a bitter and passionate Che, along with Bob [&hellip;]<\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[14,31],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.5 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>EVITA: THE DIRECTOR\u2019S TAKE - Pennsylvania Shakespeare Festival<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/pashakespeare.org\/press\/evita-the-directors-take\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"EVITA: THE DIRECTOR\u2019S TAKE - Pennsylvania Shakespeare Festival\" \/>\n<meta property=\"og:description\" content=\"By Dennis Razze I first saw the original production of\u00a0Evita\u00a0in San Francisco at the Orpheum Theatre in 1979 during its pre-Broadway tryout period before its New York premiere. 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